Untouched 6 Nov 25

Vic Steadman – “Looking at You”

Critique: A witty and unsettling play on everyday objects. The stark tonality and shallow depth create a surreal illusion—part domestic still life, part optical illusion. Strong control of form and light.

Vic Steadman – “Evening Companions”

Critique: Beautifully observed social moment. The ghostly figure in motion contrasts with the still seated group, evoking time passing and memory fading. Excellent use of light and long exposure.

Tim Ravenscroft – “Golden Hour Oak”

Critique: Classic pastoral scene made rich by warm sidelight. The composition balances tree, hedge, and rolling field perfectly. Could benefit from a touch less saturation, but mood and structure are excellent.

Vic Steadman – “Bonfire Night”

Critique: Dynamic display of colour and light with good framing of the fireworks above the lit buildings. A tighter crop from the bottom might further emphasise the burst shapes and energy in the sky.

Vic Steadman – “Signal”

Critique: Minimalist and powerful. The telegraph pole’s vertical dominance and chiaroscuro lighting give monumental presence. Feels like a symbol of isolation or connection—strong in concept and execution.

Sue Warren – “Oak and Shadow”

Critique: A beautifully balanced composition linking the solid presence of the oak tree with its ephemeral shadow on the wall beyond. The bright, clear light gives both strength and delicacy, while the crisp geometry of the building offsets the organic shape of the tree. A thoughtful exploration of form, light, and connection.

Sue Warren – “Shadow Play”

Critique: A subtle and poetic image where absence becomes the subject. By removing the tree itself and leaving only its shadow, the composition becomes abstract and intriguing. The bench and saplings anchor the frame, while the soft morning light gives quiet warmth. A refined, contemplative study of light and form.

Sue Warren – “Fallen Leaves”

Critique: A vibrant celebration of autumn colour. The red canopy dominates the frame, yet the picnic benches add structure and a gentle human presence. The balance of warm foliage against the cool green grass gives depth and harmony. A joyful, well-seen seasonal image that invites the viewer to linger.

Diana Ross – “Autumn Walk”

Critique: A beautifully composed woodland scene that captures the calm richness of autumn. The carpet of yellow leaves leads the viewer gently into the frame, past the bench and towards the distant figures. The interplay of warm foliage and cool light creates both depth and serenity — a classic seasonal study handled with sensitivity and balance.

Diana Ross – “Fireworks Over Wadswick”

Critique: A lively and well-timed celebration scene, balancing the burst of light and motion against the stillness of the landscaped setting. The inclusion of foreground foliage adds depth and colour contrast, giving context and a sense of place. Nicely exposed for both highlights and shadow detail.